See below for some great press coverage of Tangled Feet's work.
We're as proud of our audience's feedback as the reviews from the critics.
See below for some great press coverage of Tangled Feet's work.
We're as proud of our audience's feedback as the reviews from the critics.
Review by Mike Scialom: "Murmurations plays heartstrings sweetly at Wicken Fen Nature Reserve"
Featured in the Autumn Arts Preview of The Guardian.
Article about Murmurations at National Trust Wicken Fen Nature Reserve by Adrian Peel.
Article written by collaborator playwright Steve Waters published in The Guardian
The Authentic Project review the premiere of Half Life at The Albany
BBC news report on the re-opening of Hat Factory Arts Centre with excerpts from Factory Reset.
Read the latest review of Butterflies from Children's Theatre Review below
Behind the scenes at rehearsals for our large scale outdoor show in Leeds
Kat Joyce and Nathan Curry discuss why devising was the perfect way to tackle the NHS
Tangled Feet bring the town together with outdoor theatre festival
One Million featured in The Guardian and discussion of Tangled Feet making political work
Here's the press releases from our most recent productions. For press info on other shows, please get in touch here
Two of the UK’s leading companies creating work for young people have joined forces to produce Butterflies, a new show based on research into children’s anxiety. The show, for ages 3-8, opens at Half Moon Theatre on Sept 21st and 22nd and then tours the UK until Nov 24th.
It’s the universal issue guaranteed to get people’s blood boiling....parking. But why does something as basic as finding a car parking space have the potential to send us stratospheric? Tangled Feet seek to find out with their latest show, which sees two cars (and their occupants) battling it out in a parking dispute that goes nuclear.
It'll all start when you look up...
Overnight, in a public space a mysterious, ominous organic form appears. It seems to have burst through the pavement or playing field, creating a strange shape seven metres high: it towers over the landscape. Slowly, displaced people begin to emerge. Then more and more…
Where do they go now? How do we respond to them? How long will they stay?
by Bryony Brooker & Justine Staley An idea First of all, I want to say I love my job and after working with Tangled Feet, I love my job with rejuvenated enthusiasm, a bag full of shiny tools, an insurmountable pride in our young co-creator team, and new possibilities of what we can bring to our work. Just as a bit of background, Justine and I are directors of Rowan Tree Dramatherapy. Founded in 2013 as a Community Interest Company, we provide a Dramatherapy Service across Kent where we are committed and dedicated to working within the community to ensure Dramatherapy is both accessible and useful. We work extensively with young people, many of whom who do not live with their birth parents. Thanks to Children in Need, we have been able to offer fully funded group therapy each year for the past seven years to Children in Care. With each group, we create a space together that offers the potential to experience a sense of belonging that they have agency over moulding, shaping, and making their own. They have a voice, they are heard, and their feelings and emotions are validated. However, outside the therapy room, all too often these young people have had no choice and no voice, in what has happened in their past, and sometimes in their present, we always strive to support agency and wondered how could their voices become tangible? Together, we tentatively considered how a piece of therapeutic theatre could be created and how this might look. We knew we did not have the knowledge or skill set to create the vision we had (it had to be spot on) and knew that it would take a theatre company that had great integrity and experience to pull this idea off.
moreRT @polkatheatre: One month until Belongings 🧣 If you loved Butterflies last October, don't miss this beautiful new piece from @tangledfee…
An open letter to theatre and performance makers This is a letter to self-employed and freelance theatre and performance makers in the UK. To the actors, playwrights, directors, choreographers, stage managers, designers, stage crews and set-builders to name just a few. Alternative ways to view or hear the letter: PDF Version AUDIO Version LARGE PRINT Version
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